The crown of the Bowie/Eno Berlin trilogy and the most accessible entry point to Bowie’s work from his arty experimental rock period. The ambient sound collage that defined the second half of Low is a lot stronger and more fully realized here. Then there’s the album’s title track, which is unquestionably David’s greatest song, where he does something he hasn’t done since Life on Mars? way back on Hunky Dory – he takes every single one of his Bowie masks off and proves that he does have a real human heart in there somewhere. Not to mention, this album has excellent playing from Robert Fripp all over it.
Choice Cut: Heroes